Below are the 6 most recent journal entries recorded in codysparks717's InsaneJournal:

Sunday, July 24th, 2011
4:33 pm	Getting Skilled Quality Sound From Your Camcorder Interviews and presenters Nowadays camcorders are used for more than just filming residence movies. A large neighborhood of newbie videographers now film quick clips to placed on websites resembling Google video, You Tube and their very own personal sites. A few of these are purely for leisure whereas others are for info purposes e.g. local historical past societies interview people for their reminiscences of the locality. The quality of recent camcorders and computer based enhancing techniques mixed can produce wonderful visible outcomes which are often let down by poor high quality sound. The main reason for this is that the built-in video microphone is often too distant from the people being filmed. At the time of filming, our ears, eyes and brain work together to effectively suppress the reverberation and different unwanted sound sources within the room to permit us to hear what someone is saying, what we hear is different to what a microphone hears. That is the place exterior microphones are required, the nearer a microphone can get to the topic, the quieter different unwanted sounds successfully become. If at this stage you dont have any external microphones then the most effective advice for getting good high quality sound from the in-built video microphone is to get your digicam as near your sound source as potential i.e. about 3 feet away, nonetheless you would possibly still hear some digicam motor noise. If you're taking videography seriously then its best to put on closed-again headphones so that you simply only hear what will likely be on the audio tracks. Usually camcorders have a built in stereo electret microphone which might either be unplugged from its socket or there are exterior microphone sockets and a few technique of switching between them and the built in video microphones. An A/V socket is often accessible for plugging in an exterior audio mixer. It might be necessary to buy a stereo plug to 2 mono sockets lead to be able to make full use of the two tracks that are out there on most camcorders. Presenter In case your presenter must be cellular then it would be best to purchase or hire a radio microphone kit (ensure you get a equipment that has a small battery powered receiver - not a large mains powered one), this enables a lapel microphone (often omni pickup characteristics) or a plugged in handheld microphone (normally cardioid pickup) to be permanently close to the presenters mouth. The lapel microphone is usually worn on a tie, suit lapel or shirt, attempt to keep away from inserting it on a shirt collar since this picks up an excessive amount of sound from the throat, which sounds un-natural. If the presenter is at all times static and pretty close to the camera at all times then an electret line microphone can be worn related through an extension lead, which must be framed out of shot. Presenter and Interviewees If the presenter is interviewing several folks, one person at a time, then a handheld cabled or radio microphone can be used, this generally is a cardioid dynamic or condenser microphone. To avoid missing parts of questions and/or solutions because of poor microphone approach, a separate lapel microphone might be worn by the interviewer who then points the hand-held microphone on the interviewees. If a large group of individuals are to be interviewed then it would be greatest to have a increase operator to concentrate on pointing a hypercardiod microphone on a fishpole on the interviewee whos talking. Alternatively employ a sound recordist with an audio mixer with a sufficient number of microphone inputs and lapel microphones to fade up whoever is talking within the group of interviewees. The presenters microphone goes to one monitor and interviewees to the other. On the modifying stage the related audio track could be favoured to get as close a sound as potential, if each tracks are faded up on a regular basis then the sound turns into too open and fewer inteligible. Should you only have one camcorder then it will be finest to pay attention your shots on the interviewees and then after the interview to take some close-ups of the interviewer asking the questions and possibly an introduction and conclusion plus the noddy shots to assist your edit. A wide shot of the whole group the place you cant see the interviewer or interviewees talking is another useful shot for editing purposes. Camcorder technical issues. The built in microphones and pre-amplifiers on most home camcorders may not be adequate for skilled requirements. It is best to use a separate audio mixer and microphones plugged into the A/V input and switch off any built in auto features and limiters after which set the recording levels in the camera manually according to the Tone generator within the audio mixer. Analogue camcorders must set their ranges at -4vu and digital camcorders at 20db under full scale and set the audio pattern price to the best setting i.e. 48khz. If you are using microphones plugged immediately into the camera it is best to manually control their volume (generally fairly fiddly on home Getting Skilled High quality Sound From Your Camcorder ) or settle for the potential draw back of pumping audio if you happen to elect to use the auto functions. Condenser microphones will need a separate energy provide on most camcorders except they are the semi-professional and professional variations, during which case youll have to pick phantom power to be active on every channel. (Comment on this)
Saturday, July 23rd, 2011
1:32 pm	Getting Skilled High quality Sound From Your Camcorder Interviews and presenters These days camcorders are used for extra than just filming home movies. A big neighborhood of amateur videographers now film brief clips to put on websites akin to Google video, You Tube and their very own private sites. A few of these are purely for entertainment whereas others are for info functions e.g. native historical past societies interview individuals for his or her memories of the locality. The quality of contemporary camcorders and laptop based mostly editing methods combined can produce excellent visual results which are sometimes let down by poor quality sound. The primary motive for that is that the built-in video microphone is usually too far away from the people being filmed. On the time of filming, our ears, eyes and mind work collectively to effectively suppress the reverberation and other unwanted sound sources within the room to allow us to hear what someone is saying, what we hear is totally different to what a microphone hears. This is where external microphones are required, the nearer a microphone can get to the subject, the quieter different undesirable sounds effectively become. If at this stage you dont have any exterior microphones then one of the best recommendation for getting good quality sound from the inbuilt video microphone is to get your camera as close to your sound source as attainable i.e. about 3 toes away, however you would possibly nonetheless hear some digital camera motor noise. If you're taking videography seriously then its greatest to put on closed-again headphones so that you just only hear what will be on the audio tracks. Normally camcorders have a in-built stereo electret microphone which may both be unplugged from its socket or there are exterior microphone sockets and a few technique of switching between them and the inbuilt video microphones. An A/V socket is often obtainable for plugging in an exterior audio mixer. It is perhaps necessary to buy a stereo plug to two mono sockets lead so that you could make full use of the two tracks that are out there on most camcorders. Presenter In case your presenter must be cellular then it could be best to buy or hire a radio microphone package (ensure you get a equipment that has a small battery powered receiver - not a large mains powered one), this enables a lapel microphone (normally omni pickup traits) or a plugged in handheld microphone (often cardioid pickup) to be completely close to the presenters mouth. The lapel microphone is usually worn on a tie, go well with lapel or shirt, attempt to avoid putting it on a shirt collar since this picks up an excessive amount of sound from the throat, which sounds un-natural. If the presenter is all the time static and fairly close to the digicam at all times then an electret line microphone might be worn related through an extension lead, which must be framed out of shot. Presenter and Interviewees If the presenter is interviewing a number of people, one individual at a time, then a handheld cabled or radio microphone can be utilized, this is usually a cardioid dynamic or condenser microphone. To keep away from missing parts of questions and/or answers resulting from poor microphone method, a separate lapel microphone can be worn by the interviewer who then points the hand-held microphone on the interviewees. If a large group of individuals are to be interviewed then it will be finest to have a increase operator to concentrate on pointing a hypercardiod microphone on a fishpole at the interviewee whos talking. Alternatively employ a sound recordist with an audio mixer with a sufficient number of microphone inputs and lapel microphones to fade up whoever is speaking in the group of interviewees. The presenters microphone goes to one monitor and interviewees to the other. At the editing stage the relevant audio track could be favoured to get as close a sound as attainable, if both tracks are light up on a regular basis then the sound becomes too open and less inteligible. In the event you only have one camcorder then it would be greatest to pay attention your shots on the interviewees and then after the interview to take some close-ups of the interviewer asking the questions and possibly an introduction and conclusion plus the noddy photographs to assist your edit. A large shot of the entire group the place you'll be able tot see the interviewer or interviewees speaking is another helpful shot for editing purposes. Camcorder technical issues. The built in microphones and pre-amplifiers on most domestic camcorders is probably not ok for skilled requirements. It's best to make use of a separate audio mixer and microphones plugged into the A/V enter and swap off any built in auto features and limiters and then set the recording ranges within the digicam manually in accordance with the Tone generator in the audio mixer. Analogue camcorders should set their ranges at -4vu and digital camcorders at 20db under full scale and set the audio pattern rate to the highest setting i.e. 48khz. If you are utilizing microphones plugged instantly into the digital camera it's best to manually management their volume (sometimes quite fiddly on home Getting Skilled High quality Sound From Your Camcorder ) or accept the potential downside of pumping audio in the event you elect to make use of the auto functions. Condenser microphones will want a separate power provide on most camcorders until they are the semi-skilled and professional versions, wherein case youll have to pick phantom power to be energetic on every channel. (Comment on this)
Friday, July 22nd, 2011
1:07 pm	Getting Skilled High quality Sound From Your Camcorder Interviews and presenters Nowadays camcorders are used for more than just filming home movies. A large neighborhood of novice videographers now movie brief clips to placed on web pages equivalent to Google video, You Tube and their own personal sites. A few of these are purely for entertainment whereas others are for info purposes e.g. local historical past societies interview individuals for their memories of the locality. The quality of recent camcorders and computer based enhancing techniques combined can produce wonderful visible results which are sometimes let down by poor quality sound. The principle motive for this is that the built-in video microphone is usually too far-off from the individuals being filmed. At the time of filming, our ears, eyes and mind work together to successfully suppress the reverberation and different undesirable sound sources within the room to permit us to hear what somebody is saying, what we hear is totally different to what a microphone hears. That is where exterior microphones are required, the closer a microphone can get to the topic, the quieter other undesirable sounds successfully become. If at this stage you dont have any exterior microphones then the perfect advice for getting good quality sound from the inbuilt video microphone is to get your digital camera as close to your sound source as possible i.e. about 3 toes away, however you would possibly still hear some digital camera motor noise. In case you are taking videography critically then its finest to wear closed-again headphones so that you simply only hear what shall be on the audio tracks. Normally camcorders have a built in stereo electret microphone which can both be unplugged from its socket or there are exterior microphone sockets and some means of switching between them and the built in video microphones. An A/V socket is normally out there for plugging in an exterior audio mixer. It is likely to be essential to buy a stereo plug to two mono sockets lead so that you can make full use of the two tracks which might be available on most camcorders. Presenter If your presenter needs to be cellular then it will be best to buy or hire a radio microphone equipment (be sure to get a equipment that has a small battery powered receiver - not a large mains powered one), this enables a lapel microphone (normally omni pickup traits) or a plugged in handheld microphone (normally cardioid pickup) to be permanently close to the presenters mouth. The lapel microphone is normally worn on a tie, swimsuit lapel or shirt, try to keep away from inserting it on a shirt collar since this picks up too much sound from the throat, which sounds un-natural. If the presenter is at all times static and pretty near the digicam always then an electret line microphone might be worn connected by way of an extension lead, which ought to be framed out of shot. Presenter and Interviewees If the presenter is interviewing several people, one person at a time, then a handheld cabled or radio microphone can be utilized, this could be a cardioid dynamic or condenser microphone. To keep away from lacking parts of questions and/or answers because of poor microphone approach, a separate lapel microphone may be worn by the interviewer who then factors the hand held microphone on the interviewees. If a big group of persons are to be interviewed then it could be greatest to have a increase operator to concentrate on pointing a hypercardiod microphone on a fishpole at the interviewee whos talking. Alternatively make use of a sound recordist with an audio mixer with a ample number of microphone inputs and lapel microphones to fade up whoever is speaking in the group of interviewees. The presenters microphone goes to 1 track and interviewees to the other. On the editing stage the related audio observe might be favoured to get as shut a sound as attainable, if both tracks are light up on a regular basis then the sound becomes too open and less inteligible. Should you solely have one camcorder then it could be finest to concentrate your shots on the interviewees after which after the interview to take some shut-ups of the interviewer asking the questions and possibly an introduction and conclusion plus the noddy shots to assist your edit. A large shot of the whole group where you cant see the interviewer or interviewees speaking is one other helpful shot for enhancing purposes. Camcorder technical issues. The in-built microphones and pre-amplifiers on most home camcorders will not be adequate for professional requirements. It's best to make use of a separate audio mixer and microphones plugged into the A/V enter and swap off any in-built auto features and limiters and then set the recording ranges in the camera manually in keeping with the Tone generator within the audio mixer. Analogue camcorders will have to set their ranges at -4vu and digital camcorders at 20db beneath full scale and set the audio pattern rate to the best setting i.e. 48khz. If you're utilizing microphones plugged instantly into the camera it is best to manually management their volume (typically quite fiddly on domestic Getting Skilled High quality Sound From Your Camcorder ) or settle for the potential downside of pumping audio for those who elect to make use of the auto functions. Condenser microphones will want a separate power provide on most camcorders until they are the semi-professional and professional versions, during which case youll have to pick out phantom energy to be active on each channel. (Comment on this)
Thursday, July 21st, 2011
11:51 am	Getting Skilled Quality Sound From Your Camcorder Interviews and presenters Nowadays camcorders are used for extra than simply filming residence movies. A large group of beginner videographers now film brief clips to placed on websites equivalent to Google video, You Tube and their own personal sites. Some of these are purely for entertainment whereas others are for data functions e.g. local historical past societies interview folks for their memories of the locality. The quality of contemporary camcorders and pc primarily based modifying methods mixed can produce excellent visual outcomes which are often let down by poor quality sound. The primary motive for this is that the constructed-in video microphone is often too far away from the individuals being filmed. On the time of filming, our ears, eyes and brain work collectively to effectively suppress the reverberation and different undesirable sound sources in the room to permit us to hear what someone is saying, what we hear is totally different to what a microphone hears. This is the place external microphones are required, the nearer a microphone can get to the subject, the quieter other undesirable sounds successfully become. If at this stage you dont have any external microphones then the perfect advice for getting good high quality sound from the built in video microphone is to get your digicam as near your sound supply as possible i.e. about three toes away, nonetheless you may still hear some digital camera motor noise. In case you are taking videography critically then its greatest to put on closed-back headphones so that you solely hear what will be on the audio tracks. Usually camcorders have a inbuilt stereo electret microphone which may either be unplugged from its socket or there are external microphone sockets and a few means of switching between them and the in-built video microphones. An A/V socket is often out there for plugging in an external audio mixer. It is perhaps needed to buy a stereo plug to 2 mono sockets lead in an effort to make full use of the two tracks which are accessible on most camcorders. Presenter In case your presenter must be cellular then it could be greatest to purchase or lease a radio microphone equipment (make sure you get a equipment that has a small battery powered receiver - not a large mains powered one), this enables a lapel microphone (often omni pickup traits) or a plugged in handheld microphone (often cardioid pickup) to be completely close to the presenters mouth. The lapel microphone is normally worn on a tie, swimsuit lapel or shirt, attempt to keep away from placing it on a shirt collar since this picks up an excessive amount of sound from the throat, which sounds un-natural. If the presenter is at all times static and pretty near the digital camera at all times then an electret line microphone will be worn linked by way of an extension lead, which must be framed out of shot. Presenter and Interviewees If the presenter is interviewing several people, one particular person at a time, then a handheld cabled or radio microphone can be utilized, this is usually a cardioid dynamic or condenser microphone. To avoid missing elements of questions and/or answers as a result of poor microphone method, a separate lapel microphone will be worn by the interviewer who then points the hand-held microphone on the interviewees. If a large group of individuals are to be interviewed then it might be finest to have a growth operator to focus on pointing a hypercardiod microphone on a fishpole on the interviewee whos talking. Alternatively make use of a sound recordist with an audio mixer with a enough variety of microphone inputs and lapel microphones to fade up whoever is speaking in the group of interviewees. The presenters microphone goes to 1 observe and interviewees to the other. On the modifying stage the relevant audio track will be favoured to get as shut a sound as possible, if each tracks are faded up on a regular basis then the sound becomes too open and fewer inteligible. For those who solely have one camcorder then it will be greatest to pay attention your pictures on the interviewees and then after the interview to take some shut-ups of the interviewer asking the questions and possibly an introduction and conclusion plus the noddy shots to help your edit. A wide shot of the entire group the place you cant see the interviewer or interviewees talking is another helpful shot for modifying purposes. Camcorder technical issues. The in-built microphones and pre-amplifiers on most domestic camcorders might not be adequate for professional requirements. It is best to use a separate audio mixer and microphones plugged into the A/V enter and swap off any in-built auto capabilities and limiters after which set the recording ranges in the digital camera manually according to the Tone generator within the audio mixer. Analogue camcorders should set their ranges at -4vu and digital camcorders at 20db beneath full scale and set the audio pattern fee to the highest setting i.e. 48khz. If you're using microphones plugged straight into the digicam it's best to manually control their quantity (generally fairly fiddly on domestic Getting Skilled Quality Sound From Your Camcorder ) or settle for the potential draw back of pumping audio in case you elect to use the auto functions. Condenser microphones will want a separate power provide on most camcorders except they are the semi-skilled and professional variations, in which case youll have to pick out phantom energy to be energetic on each channel. (Comment on this)
Wednesday, July 20th, 2011
2:20 pm	Getting Professional Quality Sound From Your Camcorder Interviews and presenters These days camcorders are used for more than simply filming residence movies. A big neighborhood of beginner videographers now film brief clips to placed on internet sites such as Google video, You Tube and their very own private sites. A few of these are purely for entertainment whereas others are for data functions e.g. native history societies interview individuals for their reminiscences of the locality. The quality of modern camcorders and computer based enhancing systems combined can produce excellent visual results which are often let down by poor high quality sound. The main motive for that is that the built-in video microphone is usually too far-off from the people being filmed. At the time of filming, our ears, eyes and mind work collectively to effectively suppress the reverberation and other unwanted sound sources within the room to allow us to listen to what somebody is saying, what we hear is totally different to what a microphone hears. This is where external microphones are required, the closer a microphone can get to the topic, the quieter other unwanted sounds effectively become. If at this stage you dont have any exterior microphones then the perfect advice for getting good quality sound from the in-built video microphone is to get your digicam as near your sound supply as potential i.e. about three toes away, nonetheless you would possibly still hear some camera motor noise. If you're taking videography severely then its greatest to put on closed-again headphones so that you solely hear what will probably be on the audio tracks. Normally camcorders have a in-built stereo electret microphone which might both be unplugged from its socket or there are external microphone sockets and some technique of switching between them and the built in video microphones. An A/V socket is often out there for plugging in an exterior audio mixer. It is perhaps mandatory to purchase a stereo plug to two mono sockets lead so to make full use of the two tracks which can be obtainable on most camcorders. Presenter In case your presenter needs to be cellular then it will be finest to purchase or lease a radio microphone equipment (ensure you get a kit that has a small battery powered receiver - not a big mains powered one), this permits a lapel microphone (usually omni pickup traits) or a plugged in handheld microphone (usually cardioid pickup) to be completely close to the presenters mouth. The lapel microphone is often worn on a tie, suit lapel or shirt, attempt to keep away from putting it on a shirt collar since this picks up an excessive amount of sound from the throat, which sounds un-natural. If the presenter is at all times static and fairly near the digicam at all times then an electret line microphone can be worn connected by way of an extension lead, which needs to be framed out of shot. Presenter and Interviewees If the presenter is interviewing several people, one person at a time, then a handheld cabled or radio microphone can be utilized, this could be a cardioid dynamic or condenser microphone. To avoid missing components of questions and/or solutions as a result of poor microphone method, a separate lapel microphone could be worn by the interviewer who then factors the hand held microphone on the interviewees. If a big group of persons are to be interviewed then it will be finest to have a increase operator to concentrate on pointing a hypercardiod microphone on a fishpole on the interviewee whos talking. Alternatively make use of a sound recordist with an audio mixer with a ample variety of microphone inputs and lapel microphones to fade up whoever is speaking within the group of interviewees. The presenters microphone goes to one observe and interviewees to the other. At the editing stage the related audio observe can be favoured to get as shut a sound as attainable, if each tracks are faded up on a regular basis then the sound turns into too open and fewer inteligible. In case you only have one camcorder then it might be greatest to concentrate your photographs on the interviewees and then after the interview to take some shut-ups of the interviewer asking the questions and presumably an introduction and conclusion plus the noddy shots to assist your edit. A large shot of the entire group where you mayt see the interviewer or interviewees talking is another useful shot for modifying purposes. Camcorder technical issues. The inbuilt microphones and pre-amplifiers on most home camcorders might not be adequate for professional requirements. It is best to make use of a separate audio mixer and microphones plugged into the A/V input and change off any built in auto features and limiters and then set the recording levels within the digicam manually in line with the Tone generator in the audio mixer. Analogue camcorders will have to set their levels at -4vu and digital camcorders at 20db below full scale and set the audio sample charge to the best setting i.e. 48khz. If you're using microphones plugged straight into the digicam it is best to manually control their volume (generally quite fiddly on domestic Getting Skilled Quality Sound From Your Camcorder ) or settle for the potential downside of pumping audio should you elect to make use of the auto functions. Condenser microphones will need a separate power supply on most camcorders unless they are the semi-professional and professional variations, through which case youll have to select phantom energy to be energetic on each channel. (Comment on this)
Tuesday, July 19th, 2011
1:35 pm	Getting Skilled High quality Sound From Your Camcorder Interviews and presenters Nowadays camcorders are used for more than just filming residence movies. A large community of newbie videographers now movie brief clips to put on websites comparable to Google video, You Tube and their very own personal sites. A few of these are purely for entertainment whereas others are for data functions e.g. local historical past societies interview individuals for their recollections of the locality. The standard of recent camcorders and pc based editing techniques mixed can produce excellent visual results which are often let down by poor quality sound. The main motive for that is that the constructed-in video microphone is often too far-off from the folks being filmed. At the time of filming, our ears, eyes and mind work together to effectively suppress the reverberation and other unwanted sound sources in the room to permit us to hear what someone is saying, what we hear is different to what a microphone hears. This is where exterior microphones are required, the closer a microphone can get to the topic, the quieter different unwanted sounds effectively become. If at this stage you dont have any external microphones then the perfect recommendation for getting good high quality sound from the in-built video microphone is to get your digicam as near your sound source as attainable i.e. about 3 ft away, nevertheless you would possibly nonetheless hear some digicam motor noise. If you're taking videography seriously then its greatest to wear closed-again headphones so that you simply solely hear what will be on the audio tracks. Often camcorders have a in-built stereo electret microphone which might either be unplugged from its socket or there are exterior microphone sockets and a few technique of switching between them and the inbuilt video microphones. An A/V socket is normally out there for plugging in an external audio mixer. It is likely to be vital to purchase a stereo plug to 2 mono sockets lead in an effort to make full use of the two tracks which might be accessible on most camcorders. Presenter In case your presenter needs to be cell then it might be finest to buy or rent a radio microphone kit (ensure you get a package that has a small battery powered receiver - not a big mains powered one), this enables a lapel microphone (usually omni pickup characteristics) or a plugged in handheld microphone (normally cardioid pickup) to be completely close to the presenters mouth. The lapel microphone is usually worn on a tie, swimsuit lapel or shirt, try to avoid putting it on a shirt collar since this picks up too much sound from the throat, which sounds un-natural. If the presenter is at all times static and fairly close to the camera at all times then an electret line microphone might be worn linked through an extension lead, which ought to be framed out of shot. Presenter and Interviewees If the presenter is interviewing a number of folks, one person at a time, then a handheld cabled or radio microphone can be used, this can be a cardioid dynamic or condenser microphone. To keep away from missing components of questions and/or solutions as a result of poor microphone approach, a separate lapel microphone can be worn by the interviewer who then points the hand held microphone at the interviewees. If a large group of people are to be interviewed then it could be best to have a growth operator to focus on pointing a hypercardiod microphone on a fishpole at the interviewee whos talking. Alternatively employ a sound recordist with an audio mixer with a adequate number of microphone inputs and lapel microphones to fade up whoever is speaking in the group of interviewees. The presenters microphone goes to at least one observe and interviewees to the other. At the enhancing stage the relevant audio track could be favoured to get as close a sound as potential, if both tracks are pale up all the time then the sound becomes too open and fewer inteligible. If you happen to only have one camcorder then it might be greatest to pay attention your shots on the interviewees after which after the interview to take some shut-ups of the interviewer asking the questions and probably an introduction and conclusion plus the noddy shots to help your edit. A large shot of the entire group the place you cant see the interviewer or interviewees talking is another useful shot for editing purposes. Camcorder technical issues. The in-built microphones and pre-amplifiers on most domestic camcorders may not be ok for professional requirements. It is best to use a separate audio mixer and microphones plugged into the A/V input and switch off any built in auto features and limiters and then set the recording ranges within the camera manually according to the Tone generator in the audio mixer. Analogue camcorders will have to set their levels at -4vu and digital camcorders at 20db under full scale and set the audio pattern rate to the highest setting i.e. 48khz. If you're utilizing microphones plugged immediately into the digital camera it's best to manually control their quantity (typically fairly fiddly on domestic Getting Professional Quality Sound From Your Camcorder ) or accept the potential downside of pumping audio should you elect to use the auto functions. Condenser microphones will need a separate power provide on most camcorders until they're the semi-skilled and professional variations, by which case youll have to select phantom energy to be energetic on every channel. (Comment on this)